{"id":7247,"date":"2024-12-12T15:38:03","date_gmt":"2024-12-12T13:38:03","guid":{"rendered":"https:\/\/www.ifas.org.za\/research\/?page_id=7247"},"modified":"2024-12-12T15:38:03","modified_gmt":"2024-12-12T13:38:03","slug":"podcasts","status":"publish","type":"page","link":"https:\/\/www.ifas.org.za\/research\/podcasts\/","title":{"rendered":"Podcasts"},"content":{"rendered":"\n
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Cuba and Africa, 1959\u20131994: Writing an Alternative Atlantic History – La marche du Monde<\/em>, RFI, 2021<\/a><\/h2>\n\n\n\n

Interview de Kali Argyriadis, anthropologue (IRD, URMIS), \u00e0 propos du livre Cuba and Africa, 1959\u20131994,\u00a0Writing an Alternative Atlantic History<\/em>, publi\u00e9\u00a0aux Wits University Press en 2020, et coordonn\u00e9 par K. Argyriadis, G. Bonacci et A. Delmas.

The interview of anthropologist Kali Argyriadis (IRD, URMIS) about the book <\/em>Cuba and Africa, 1959\u20131994,\u00a0Writing an Alternative Atlantic History, published in 2020 by Wits University Press and co-directed by K. Argyriadis, G. Bonacci and A. Delmas.<\/em><\/p>\n<\/div>\n\n\n\n

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Publication Cuba and Africa, 1959-1994<\/em><\/a><\/p>\n\n\n\n

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“Sounds of Southern Africa” (Series, 2022)<\/a><\/h2>\n\n\n\n

Cette s\u00e9rie de podcasts, r\u00e9alis\u00e9e par l’IFAS-Recherche et l’IFAS-Culture-Audio-Visuel, explore les liens entre la musique, la politique, la libert\u00e9 d\u2019expression et la censure dans plusieurs pays d\u2019Afrique centrale et australe, du XXe<\/sup>\u00a0si\u00e8cle\u00a0\u00e0 nos jours. Les chercheur\u00b7ses interview\u00e9\u00b7es nous invitent \u00e0 un voyage musical \u00e0 travers une vari\u00e9t\u00e9 de genres musicaux \u2013 des m\u00e9lodies sud-africaines et namibiennes \u00e0 l\u2019\u00e9poque de l\u2019apartheid \u00e0 la rumba congolaise \u00e0 l\u2019\u00e9poque coloniale, en passant par le rap ou la musique populaire au Mozambique et en Angola contemporains.<\/p>\n\n\n\n

Directed by IFAS-Research and IFAS-Culture-Audio-Visual, this podcast series explores the links between music, politics, freedom of expression and censorship in several southern and central African countries, from the 20th<\/sup>\u00a0century to the present day. The researchers interviewed here invite us on a musical journey through a variety of musical genres \u2014 from South African and Namibian melodies in the apartheid era to Congolese rumba in the colonial period, and rap or pop music in contemporary Mozambique and Angola.<\/em><\/p>\n<\/div>\n\n\n\n

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Projet Sounds of Southern Africa<\/a>
Sound of Southern Africa project <\/em><\/a><\/p>\n\n\n\n

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“L’Afrique du Sud, des histoires \u00e0 r\u00e9concilier” (S\u00e9rie, La Fabrique de l’Histoire<\/em>, France Culture, 2018)<\/a><\/h2>\n\n\n\n

Une s\u00e9rie d’\u00e9missions r\u00e9alis\u00e9e par l\u2019\u00e9quipe de\u00a0La Fabrique de l\u2019Histoire<\/em> (France Culture) en partenariat avec l’IFAS-Recherche, sur la richesse historique de l\u2019Afrique du Sud, des origines de l\u2019humanit\u00e9 aux enjeux contemporains. <\/p>\n\n\n\n

A broadcast series by the French radio show <\/em>La Fabrique de l\u2019Histoire (France Culture), produced in collaboration with IFAS-Research, dedicated to the rich history of South Africa, from the origins of humanity to contemporary issues.<\/em><\/p>\n<\/div>\n\n\n\n

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Cuba and Africa, 1959\u20131994: Writing an Alternative Atlantic History – La marche du Monde, RFI, 2021 Interview de Kali Argyriadis, anthropologue (IRD, URMIS), \u00e0 propos du livre Cuba and Africa, 1959\u20131994,\u00a0Writing an Alternative Atlantic History, publi\u00e9\u00a0aux Wits University Press en 2020, et coordonn\u00e9 par K. Argyriadis, G. Bonacci et A. Delmas. The interview of anthropologist […]<\/p>\n","protected":false},"author":12,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7247","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/pages\/7247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/comments?post=7247"}],"version-history":[{"count":16,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/pages\/7247\/revisions"}],"predecessor-version":[{"id":7266,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/pages\/7247\/revisions\/7266"}],"wp:attachment":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/media?parent=7247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}