{"id":7267,"date":"2024-12-12T15:32:20","date_gmt":"2024-12-12T13:32:20","guid":{"rendered":"https:\/\/www.ifas.org.za\/research\/?page_id=7267"},"modified":"2026-04-10T12:14:53","modified_gmt":"2026-04-10T10:14:53","slug":"films","status":"publish","type":"page","link":"https:\/\/www.ifas.org.za\/research\/films\/","title":{"rendered":"Films"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.ifas.org.za\/research\/dissemination\/30-ans-de-lifas-recherche-ifas-research-30-years\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">30 ans de l\u2019IFAS-Recherche | IFAS-Research 30 Years (2025)<\/mark><\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00e9alis\u00e9e \u00e0 l&#8217;occasion des 30 ans de l\u2019IFAS-Recherche, en 2025, cette vid\u00e9o pr\u00e9sente l&#8217;UMIFRE et met en lumi\u00e8re quelques exemples de projets soutenus au cours de ces 30 ann\u00e9es et men\u00e9s par nos partenaires de longue date.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>On the occasion of IFAS-Research 30 years, in 2025, this video presents IFAS-Research and highlights a few examples of supported projects carried out by our long-term partners<\/em>.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/sounds-of-southern-africa-music-empowerment-freedom-2021-2022\/\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.youtube.com\/watch?v=BxeFS9Tf2-A\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2026\/04\/30years-miniature2-1024x576.png\" alt=\"\" class=\"wp-image-8955\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2026\/04\/30years-miniature2-1024x576.png 1024w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2026\/04\/30years-miniature2-300x169.png 300w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2026\/04\/30years-miniature2-768x432.png 768w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2026\/04\/30years-miniature2-1536x864.png 1536w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2026\/04\/30years-miniature2.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/documentary-film-what-am-i-going-to-eat-tomorrow-the-impact-of-the-2020-pandemic-on-informal-workers-in-johannesburg\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">Projet DIG-ARQ (2025)<\/mark><\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Deux vid\u00e9os r\u00e9alis\u00e9es par Antoine Bahain dans le cadre du projet franco-angolais DIG-ARQ, qui r\u00e9sument les activit\u00e9s de terrains sur les sites du littoral de la Province de Benguela et sur la n\u00e9cropole du barrage de Caculo Caba\u00e7a.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\">Two videos by Antoine Bahain as part of the Franco-Angolan project DIG-ARQ, summarizing field activities at coastal sites in Benguela Province and at the necropolis of the Caculo Caba\u00e7a hydropower.<\/span><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\">Dois v\u00eddeos <span class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\" dir=\"auto\">realizados <\/span>por Antoine Bahain no \u00e2mbito do projeto franco-angolano DIG-ARQ, resumem as atividades de campo nos s\u00edtios costeiros da Prov\u00edncia de Benguela e na necr\u00f3pole no barragem de Caculo Caba\u00e7a.<\/span><\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\"><em>Franco-Angolan project DIG-ARQ<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-medium\"><a href=\"https:\/\/www.youtube.com\/watch?v=C8m4gU7mBa8\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"242\" src=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2025\/09\/image-4-300x242.png\" alt=\"\" class=\"wp-image-8435\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2025\/09\/image-4-300x242.png 300w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2025\/09\/image-4.png 310w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-medium\"><a href=\"https:\/\/www.youtube.com\/watch?v=XJeg01ghmPY\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"242\" src=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2025\/09\/image-1-300x242.png\" alt=\"\" class=\"wp-image-8432\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2025\/09\/image-1-300x242.png 300w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2025\/09\/image-1.png 372w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/homer-and-the-indian-ocean-video\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">Homer and the Indian Ocean (2024)<\/mark><\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Une vid\u00e9o qui revient sur <a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/exposition-homere-et-locean-indien-exhibition-homer-and-the-indian-ocean\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">l\u2019exposition organis\u00e9e par la chercheuse Carla Bocchetti<\/mark><\/a> (IFAS-Recherche), et qui propose de d\u00e9centrer le regard port\u00e9 sur Hom\u00e8re et son \u0153uvre, et d&#8217;\u00e9largir la g\u00e9ographie de ses po\u00e8mes au-del\u00e0 de la mer M\u00e9diterran\u00e9e.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>A video reflecting on <a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/exposition-homere-et-locean-indien-exhibition-homer-and-the-indian-ocean\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">the exhibition organised by researcher Dr Carla Bocchetti<\/mark><\/a> (IFAS-Research), which proposed to decentralise the view of Homer and to extend the geography of his poems beyond the borders of the Mediterranean Sea.<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/sounds-of-southern-africa-music-empowerment-freedom-2021-2022\/\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/homer-and-the-indian-ocean-video\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2024\/11\/miniature-Homer-2-low-res-BW_title_logo-1024x576.png\" alt=\"\" class=\"wp-image-6981\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2024\/11\/miniature-Homer-2-low-res-BW_title_logo-1024x576.png 1024w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2024\/11\/miniature-Homer-2-low-res-BW_title_logo-300x169.png 300w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2024\/11\/miniature-Homer-2-low-res-BW_title_logo-768x432.png 768w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2024\/11\/miniature-Homer-2-low-res-BW_title_logo.png 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/youtube.com\/playlist?list=PLca21v0MS9v_YWkaf_5aVvIltoD38D8oc&amp;feature=shared\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">S\u00e9rie | <em>Series <\/em>&#8220;Arqueologia Angolana&#8221; (2023)<\/mark><\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Une s\u00e9rie de courts documentaires r\u00e9alis\u00e9s gr\u00e2ce au soutien du Service de Coop\u00e9ration et d&#8217;Action Culturelle de l&#8217;Ambassade de France en Angola, afin de faire conna\u00eetre les recherches en cours dans le cadre du programme franco-angolais. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>A series of short documentaries, produced with the support of the Department of Cooperation and Cultural Action of the French Embassy in Angola, to publicise the research being carried out in the framework of this Franco-Angolan programme.<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/troisieme-episode-de-la-serie-arqueologia-angolana-arqueologia-angolana-third-episode\/\" target=\"_blank\" rel=\"noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">Episode 1 &#8211; Le Mus\u00e9e National d\u2019Arch\u00e9ologie de Benguela | <em>The National Museum of Archaeology in Benguela<\/em><\/mark><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/deuxieme-episode-de-la-serie-arqueologia-angolana-arqueologia-angolana-second-episode\/\" target=\"_blank\" rel=\"noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">Episode 2 &#8211; Le Projet Arch\u00e9ologique de Mormolo | <em>The Mormolo Archaeological Project<\/em> <\/mark><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/troisieme-episode-de-la-serie-arqueologia-angolana-arqueologia-angolana-third-episode\/\" target=\"_blank\" rel=\"noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">Episode 3 &#8211; La fouille arch\u00e9ologique | <em>The Archaeological Excavation<\/em><\/mark> <\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/quatrieme-episode-de-la-serie-arqueologia-angolana-arqueologia-angolana-fourth-episode\/\" target=\"_blank\" rel=\"noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">Episode 4 &#8211; La zooarch\u00e9ologie | <em>Zooarchaeology <\/em><\/mark><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/cinquieme-episode-de-la-serie-arqueologia-angolana-arqueologia-angolana-fifth-episode\/\" target=\"_blank\" rel=\"noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">Episode 5 &#8211; La g\u00e9ochronologie | <em>Geochronology <\/em><\/mark><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/sixieme-episode-de-la-serie-arqueologia-angolana-arqueologia-angolana-sixth-episode\/\" target=\"_blank\" rel=\"noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">Episode 6 &#8211; La taille de la pierre | <em>Stonecutting <\/em><\/mark><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/dernier-episode-de-la-serie-arqueologia-angolana-arqueologia-angolana-last-episode\/\" target=\"_blank\" rel=\"noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">Episode 7 &#8211; Ebo, patrimoine rupestre | <em>Ebo, Rock Art Heritage<\/em> <\/mark><\/a><\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\">Mission Pr\u00e9historique Franco-Angolaise<br><em>Franco-Angolan Prehistoric Mission<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/youtube.com\/playlist?list=PLca21v0MS9v_YWkaf_5aVvIltoD38D8oc&amp;feature=shared\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/01\/Screenshot-4-1024x576.png\" alt=\"\" class=\"wp-image-6319\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/01\/Screenshot-4-1024x576.png 1024w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/01\/Screenshot-4-300x169.png 300w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/01\/Screenshot-4-768x432.png 768w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/01\/Screenshot-4.png 1411w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/youtube.com\/playlist?list=PLca21v0MS9v_YWkaf_5aVvIltoD38D8oc&amp;feature=shared\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/04\/Angola-3-1024x576.png\" alt=\"\" class=\"wp-image-6379\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/04\/Angola-3-1024x576.png 1024w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/04\/Angola-3-300x169.png 300w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/04\/Angola-3-768x432.png 768w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/04\/Angola-3.png 1434w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/youtube.com\/playlist?list=PLca21v0MS9v_YWkaf_5aVvIltoD38D8oc&amp;feature=shared\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"574\" src=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/05\/Capture-d\u2019\u00e9cran-2023-05-05-\u00e0-10.44.28-1-1024x574.png\" alt=\"\" class=\"wp-image-6386\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/05\/Capture-d\u2019\u00e9cran-2023-05-05-\u00e0-10.44.28-1-1024x574.png 1024w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/05\/Capture-d\u2019\u00e9cran-2023-05-05-\u00e0-10.44.28-1-300x168.png 300w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/05\/Capture-d\u2019\u00e9cran-2023-05-05-\u00e0-10.44.28-1-768x430.png 768w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/05\/Capture-d\u2019\u00e9cran-2023-05-05-\u00e0-10.44.28-1.png 1438w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/youtube.com\/playlist?list=PLca21v0MS9v_YWkaf_5aVvIltoD38D8oc&amp;feature=shared\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"572\" src=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/09\/Capture-d\u2019\u00e9cran-2023-08-24-\u00e0-14.28.56-1024x572.png\" alt=\"\" class=\"wp-image-6444\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/09\/Capture-d\u2019\u00e9cran-2023-08-24-\u00e0-14.28.56-1024x572.png 1024w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/09\/Capture-d\u2019\u00e9cran-2023-08-24-\u00e0-14.28.56-300x167.png 300w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/09\/Capture-d\u2019\u00e9cran-2023-08-24-\u00e0-14.28.56-768x429.png 768w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/09\/Capture-d\u2019\u00e9cran-2023-08-24-\u00e0-14.28.56.png 1408w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/pigments-on-a-cave-wall-des-pigments-sur-la-paroi\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">Pigments on a Cave Wall (2023)<\/mark><\/a><\/h2>\n\n\n\n<p>Un court film consacr\u00e9 \u00e0 l\u2019art rupestre pr\u00e9historique des grottes de Pomongwe et Bambata (Matobo Hills, Zimbabwe), et \u00e0 l&#8217;\u00e9quipe du projet franco-zimbabw\u00e9en MATOBART. <br><br><em>A short film dedicated to Pomongwe and Bambata prehistoric rock art (Matobo Hills, Zimbabwe) and the French-Zimbabwean MATOBART project team.<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\">Projet MATOBART<br><em>MATOBART project<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/pigments-on-a-cave-wall-des-pigments-sur-la-paroi\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"570\" src=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/02\/Capture-d\u2019\u00e9cran-2023-02-12-\u00e0-16.53.29-1024x570.png\" alt=\"\" class=\"wp-image-6347\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/02\/Capture-d\u2019\u00e9cran-2023-02-12-\u00e0-16.53.29-1024x570.png 1024w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/02\/Capture-d\u2019\u00e9cran-2023-02-12-\u00e0-16.53.29-300x167.png 300w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/02\/Capture-d\u2019\u00e9cran-2023-02-12-\u00e0-16.53.29-768x428.png 768w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/02\/Capture-d\u2019\u00e9cran-2023-02-12-\u00e0-16.53.29.png 1417w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/the-hidden-years-of-south-african-music\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">The Hidden Years of South African Music (2021)<\/mark><\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Un documentaire pr\u00e9sent\u00e9 par l&#8217;Institut fran\u00e7ais (Paris), l&#8217;Ambassade de France en Afrique du Sud et l&#8217;IFAS-Recherche, dans le cadre du <a href=\"https:\/\/aoinstitute.ac.za\/hidden-years\/\" target=\"_blank\" rel=\"noreferrer noopener\">projet Hidden Years Music Archive<\/a>, h\u00e9berg\u00e9 par l&#8217;<a href=\"https:\/\/aoinstitute.ac.za\/hidden-years\/\" target=\"_blank\" rel=\"noreferrer noopener\">Africa Open Institute for Music, Research and Innovation<\/a> (Facult\u00e9 des Arts et des Sciences Sociales, Universit\u00e9 de Stellenbosch).<\/p>\n\n\n\n<p><em>A documentary presented by the Institut fran\u00e7ais (Paris), the French Embassy in South Africa and IFAS-Research, as part of the <a href=\"https:\/\/aoinstitute.ac.za\/hidden-years\/\">Hidden Years Music Archive Project<\/a>, which is hosted by the <a href=\"https:\/\/aoinstitute.ac.za\/hidden-years\/\">Africa Open Institute for Music, Research and Innovation<\/a> (Faculty of Art and Social Sciences, Stellenbosch University).<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/sounds-of-southern-africa-music-empowerment-freedom-2021-2022\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">Projet <em>Sounds of Southern Africa<\/em><br><em>Sounds of Southern Africa project<\/em><\/mark><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"551\" src=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/11\/capture-2021-11-11-\u00e0-10.53.19-1024x551.jpg\" alt=\"\" class=\"wp-image-5962\" style=\"aspect-ratio:1;object-fit:cover\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/11\/capture-2021-11-11-\u00e0-10.53.19-1024x551.jpg 1024w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/11\/capture-2021-11-11-\u00e0-10.53.19-300x161.jpg 300w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/11\/capture-2021-11-11-\u00e0-10.53.19-768x413.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/short-film-i-am-a-reclaimer\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">I AM A RECLAIMER (2021)<\/mark><\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Un court documentaire r\u00e9alis\u00e9 par l\u2019<a href=\"http:\/\/www.ifas.org.za\/\" target=\"_blank\" rel=\"noreferrer noopener\">IFAS-Culture<\/a>&nbsp;et&nbsp;l\u2019IFAS-Recherche, en partenariat avec l\u2019<a href=\"https:\/\/www.institutfrancais.com\/fr\" target=\"_blank\" rel=\"noreferrer noopener\">Institut fran\u00e7ais<\/a>, et centr\u00e9 sur Steven Leeu, un recycleur (\u00ab&nbsp;<em>reclaimer<\/em>&nbsp;\u00bb) de Johannesburg, qui explique ce qu\u2019est son m\u00e9tier, fait d\u00e9couvrir son quotidien et \u00e9voque ses combats et ses aspirations.<\/p>\n\n\n\n<p><em>A short documentary presented by <a href=\"http:\/\/www.ifas.org.za\/\" target=\"_blank\" rel=\"noreferrer noopener\">IFAS-Culture<\/a>&nbsp;and&nbsp;IFAS-Research, in partnership with the&nbsp;<a href=\"https:\/\/www.institutfrancais.com\/fr\" target=\"_blank\" rel=\"noreferrer noopener\">Institut fran\u00e7ais<\/a>, focusing on Steven Leeu, a waste reclaimer in Johannesburg who explains his job<\/em><em>, his daily life and talk about his struggles and aspirations.<br><\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/reclaiming-waste-2019-2022\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">Projet <em>Reclaiming Waster<\/em><br><em>Reclaiming Waste project<\/em><\/mark><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/short-film-i-am-a-reclaimer\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"602\" height=\"451\" src=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2024\/11\/image-5.png\" alt=\"\" class=\"wp-image-7139\" style=\"aspect-ratio:1;object-fit:cover\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2024\/11\/image-5.png 602w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2024\/11\/image-5-300x225.png 300w\" sizes=\"auto, (max-width: 602px) 100vw, 602px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/documentary-film-what-am-i-going-to-eat-tomorrow-the-impact-of-the-2020-pandemic-on-informal-workers-in-johannesburg\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">What am I going to eat tomorrow? (2021)<\/mark><\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Un documentaire r\u00e9alis\u00e9 par l\u2019IFAS-Recherche et la soci\u00e9t\u00e9 de production <a href=\"https:\/\/www.blackgosling.tv\/\" target=\"_blank\" rel=\"noreferrer noopener\">Black Gosling<\/a>, qui donne la parole aux travailleur\u00b7ses du secteur informel afin de comprendre l&#8217;impact de la pand\u00e9mine de Covid-19 sur leur quotidien, leurs conditions de travail et de vie pendant le confinement.<\/p>\n\n\n\n<p><em>A documentary produced by IFAS-Research and the production compagny <a href=\"https:\/\/www.blackgosling.tv\/\" target=\"_blank\" rel=\"noopener\">Black Gosling<\/a>, giving a voice to informal workers, to understand the impact of Covid-19 pandemic on their daily lives, their work and living conditions during the lockdown<\/em><em>.<br><\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\"><em>Informality and Covid-19 in South Africa<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.ifas.org.za\/research\/uncategorized\/documentary-film-what-am-i-going-to-eat-tomorrow-the-impact-of-the-2020-pandemic-on-informal-workers-in-johannesburg\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1600\" src=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2020\/11\/capture-2020-11-17-\u00e0-12.18.07.jpg\" alt=\"\" class=\"wp-image-5545\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2020\/11\/capture-2020-11-17-\u00e0-12.18.07.jpg 2560w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2020\/11\/capture-2020-11-17-\u00e0-12.18.07-300x188.jpg 300w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2020\/11\/capture-2020-11-17-\u00e0-12.18.07-768x480.jpg 768w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2020\/11\/capture-2020-11-17-\u00e0-12.18.07-1024x640.jpg 1024w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.youtube.com\/watch?v=Y63JK1NMt18\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">Touring Yeoville (2012)<\/mark><\/a><\/h2>\n\n\n\n<p>Un court film pr\u00e9sent\u00e9 par l&#8217;IFAS-Recherche, le Yeoville Studio, l&#8217;Universit\u00e9 du Witwatersrand et l&#8217;Universit\u00e9 de Johannesburg, avec le soutien de l&#8217;Institut Fran\u00e7ais (Paris), dans le cadre des promenades &#8220;<em>Memories and City<\/em>&#8220;, du 13 au 16 septembre 2011.<\/p>\n<p><em><span class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\" dir=\"auto\" role=\"text\"><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\">A short film presented by IFAS-Research, Yeoville Studio, the University of the Witwatersrand and the University of Johannesburg, with the support of Institut Fran\u00e7ais (Paris), as <\/span><\/span><\/em><span class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\" dir=\"auto\" role=\"text\"><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\"><em>part of the &#8220;Memory and City&#8221; walking tours, 13-16 September 2011.<\/em><br \/><\/span><\/span><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/www.ifas.org.za\/research\/blog\/yeoville-studio\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">Projet <em>Yeoville Studio<\/em><br><em>Yeoville Studio project<\/em><\/mark><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"463\" src=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2019\/08\/yeoville-couv-Copy-1.png\" alt=\"\" class=\"wp-image-4587\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2019\/08\/yeoville-couv-Copy-1.png 722w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2019\/08\/yeoville-couv-Copy-1-300x192.png 300w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n","protected":false},"excerpt":{"rendered":"<p>30 ans de l\u2019IFAS-Recherche | IFAS-Research 30 Years (2025) R\u00e9alis\u00e9e \u00e0 l&#8217;occasion des 30 ans de l\u2019IFAS-Recherche, en 2025, cette vid\u00e9o pr\u00e9sente l&#8217;UMIFRE et met en lumi\u00e8re quelques exemples de projets soutenus au cours de ces 30 ann\u00e9es et men\u00e9s par nos partenaires de longue date. On the occasion of IFAS-Research 30 years, in 2025, [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7267","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/pages\/7267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/comments?post=7267"}],"version-history":[{"count":13,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/pages\/7267\/revisions"}],"predecessor-version":[{"id":8959,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/pages\/7267\/revisions\/8959"}],"wp:attachment":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/media?parent=7267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}