{"id":36,"date":"2015-09-19T16:28:00","date_gmt":"2015-09-19T16:28:00","guid":{"rendered":"http:\/\/www.ifas.org.za\/research\/2015\/09\/19\/forms-across-the-global-village-exposures-and-exhibition\/"},"modified":"2017-11-27T20:09:58","modified_gmt":"2017-11-27T18:09:58","slug":"forms-across-the-global-village-exposures-and-exhibition","status":"publish","type":"post","link":"https:\/\/www.ifas.org.za\/research\/events\/workshops-seminars\/forms-across-the-global-village-exposures-and-exhibition\/","title":{"rendered":"Forms across the Global Village. Exposures and Exhibition"},"content":{"rendered":"<h4>For and From Makwacha (Democratic Republic of Congo)<\/h4>\n<h4><a href=\"http:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2015\/09\/2015-fish-denoun-web2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-882\" src=\"http:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2015\/09\/2015-fish-denoun-web2.jpg\" alt=\"\" width=\"1095\" height=\"399\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2015\/09\/2015-fish-denoun-web2.jpg 1095w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2015\/09\/2015-fish-denoun-web2-300x109.jpg 300w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2015\/09\/2015-fish-denoun-web2-768x280.jpg 768w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2015\/09\/2015-fish-denoun-web2-1024x373.jpg 1024w\" sizes=\"auto, (max-width: 1095px) 100vw, 1095px\" \/><\/a><\/h4>\n<h4>French Institute Seminars in Humanities (FISH)<br \/>\n05 October 2015<\/h4>\n<p><strong>11:00 &#8211; IFAS Conference Room, 62 Juta Street, Braamfontein<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Manon Denoun<\/strong><br \/>\n<em>Sciences Po Bordeaux<\/em><\/p>\n<p>Makwacha\u2019s case-study and the related practice of kushingula conveys key elements to understand contemporary communication stakes and informs me to call for sensual contextualization. In 2004, as he was riding back to Lubumbashi (DRC), the director of the French Cultural Center observed painted houses along the route. He ultimately stopped in the village of Makwacha. The village\u2019s traditional painting practice has ever since lured artists, journalists, tourist activity and NGOs to Makwacha \u2013 resulting in a 2014 exhibition in Paris. Based on fieldwork observations from 2013 to 2015, this talk discusses the curator\u2019s conceptual choice for the exhibition (\u2018Makwacha\u2019, La Maison des Metallos, Paris, April 2014). As TICS have been remodeling representation of what used to be \u2018far away\u2019 countries, Modest Art mouvement raises ethical and epistemological issues which I\u2019ll examine in order to develop the concept of sensual contextualization.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Working on art and literature, <strong>Manon Denoun<\/strong> has embarked on a PhD at l&#8217;Ecole des Hautes Etudes en Sciences Sociales (Paris) to understand contemporary practices of kushigula in villages of the Copperbelt of Africa. Her research focuses on processes of representation at the age of Globalization.<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For and From Makwacha (Democratic Republic of Congo) French Institute Seminars in Humanities (FISH) 05 October 2015 11:00 &#8211; IFAS Conference Room, 62 Juta Street, Braamfontein &nbsp; Manon Denoun Sciences Po Bordeaux Makwacha\u2019s case-study and the related practice of kushingula conveys key elements to understand contemporary communication stakes and informs me to call for sensual [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":882,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-36","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-workshops-seminars"],"_links":{"self":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts\/36","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/comments?post=36"}],"version-history":[{"count":3,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts\/36\/revisions"}],"predecessor-version":[{"id":883,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts\/36\/revisions\/883"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/media\/882"}],"wp:attachment":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/media?parent=36"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/categories?post=36"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/tags?post=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}