{"id":5819,"date":"2021-05-27T11:37:13","date_gmt":"2021-05-27T09:37:13","guid":{"rendered":"http:\/\/www.ifas.org.za\/research\/?p=5819"},"modified":"2024-11-27T15:23:43","modified_gmt":"2024-11-27T13:23:43","slug":"appel-a-contributions-call-for-papers-revue-sources","status":"publish","type":"post","link":"https:\/\/www.ifas.org.za\/research\/uncategorized\/appel-a-contributions-call-for-papers-revue-sources\/","title":{"rendered":"Appel \u00e0 contributions\/ Call for Papers \u2013 Revue SOURCES"},"content":{"rendered":"<p>&nbsp;<\/p>\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"326\" src=\"http:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/05\/capture-2021-05-27-\u00e0-11.16.47-1024x326.jpg\" alt=\"\" class=\"wp-image-5821\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/05\/capture-2021-05-27-\u00e0-11.16.47-1024x326.jpg 1024w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/05\/capture-2021-05-27-\u00e0-11.16.47-300x95.jpg 300w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/05\/capture-2021-05-27-\u00e0-11.16.47-768x244.jpg 768w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/05\/capture-2021-05-27-\u00e0-11.16.47.jpg 1244w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n<p>&nbsp;<\/p>\n\n\n<h4 class=\"wp-block-heading\">Num\u00e9ro sp\u00e9cial pour la revue <a href=\"https:\/\/www.sources-journal.org\">Sources. Mat\u00e9riaux &amp; terrains en \u00e9tudes africaines<\/a><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.sources-journal.org\/522\">Photographier les mondes sociaux africains : production et circulation des repr\u00e9sentations visuelles<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ce num\u00e9ro a pour objectif de confronter, \u00e0 travers l&#8217;usage de la photographie documentaire en Afrique,&nbsp;les repr\u00e9sentations visuelles du monde social que produisent et diffusent les producteur\u00b7trice d\u2019images, qu\u2019ils soient chercheur\u00b7se\u00b7s ou photographes, et qu\u2019ils travaillant de pair ou ind\u00e9pendamment.&nbsp;Il&nbsp;s\u2019int\u00e9resse \u00e0 la pluralit\u00e9 des influences qui contribuent \u00e0 la construction et \u00e0 l\u2019\u00e9volution de ces repr\u00e9sentations visuelles, d\u2019une part, et aux circulations des individus, des normes et des images, d\u2019autre part. Les contributions s\u2019int\u00e9greront dans une r\u00e9flexion plus globale sur l\u2019enjeu&nbsp;de l&#8217;usage des&nbsp;photographies comme source dans la recherche en sciences sociales et sur l\u2019Afrique. Elles prendront&nbsp;appui sur des cas concrets et pr\u00e9senteront les d\u00e9marches suivies et les photographies produites.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Coordinatrices du num\u00e9ro : <\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Chlo\u00e9 Josse-Durand<\/strong>, pensionnaire scientifique \u00e0 l\u2019<a href=\"https:\/\/ifranairobi.hypotheses.org\">Institut fran\u00e7ais de recherche en Afrique \u00e0 Nairobi<\/a> (IFRA- Nairobi), Nairobi, Kenya<\/li>\n\n\n\n<li><strong>Constance Perrin-Joly<\/strong>, ma\u00eetresse de conf\u00e9rences, Universit\u00e9 Sorbonne Paris Nord, IRIS (Institut de recherche interdisciplinaire sur les enjeux sociaux), chercheure associ\u00e9e au<a href=\"https:\/\/cfee.cnrs.fr\"> Centre fran\u00e7ais des \u00e9tudes \u00e9thiopienne<\/a>s (CFEE), Addis-Abeba, \u00c9thiopie<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Calendrier aux auteur\u00b7e\u00b7s :<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les coordinatrices invitent les chercheur\u00b7se\u00b7s et\/ou photographes \u00e0 soumettre un r\u00e9sum\u00e9&nbsp;d\u2019article original en fran\u00e7ais ou en anglais (3&nbsp;000 \u00e0 5&nbsp;000 signes) qui s\u2019inscrit dans la&nbsp;th\u00e9matique de cet appel et dans la ligne \u00e9ditoriale de la revue. Les r\u00e9sum\u00e9s doivent pr\u00e9senter le corpus de mat\u00e9riaux&nbsp;mis en centre de l\u2019article, les d\u00e9crire et donner des \u00e9l\u00e9ments de&nbsp;contextualisation en lien avec la discipline et la question de recherche. Ils doivent indiquer les possibilit\u00e9s (ou non) et conditions de leur diffusion en ligne.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>30 juin 2021 : envoi des propositions d\u2019article, consistant en un r\u00e9sum\u00e9 d\u2019une vingtaine\u00a0de lignes avec titre provisoire, nom(s), coordonn\u00e9es et affiliations des auteur\u00b7e\u00b7s. Une adresse mail doit \u00eatre imp\u00e9rativement indiqu\u00e9e<\/li>\n\n\n\n<li>15 juillet 2021 : r\u00e9ponse aux auteurs (acceptation ou refus)<\/li>\n\n\n\n<li>30 octobre 2021:\u00a0envoi de l\u2019article<\/li>\n\n\n\n<li>F\u00e9vrier 2022 :\u00a0envoi d\u2019un rapport d\u2019\u00e9valuation aux auteur\u00b7e\u00b7s<\/li>\n\n\n\n<li>30 juin 2022 :\u00a0remise des versions finales de l\u2019article<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">2023: sortie du num\u00e9ro.&nbsp;Les propositions d\u2019articles doivent \u00eatre envoy\u00e9es par email \u00e0 ces trois adresses : cperrinjoly@gmail.com, chloe.jossedurand@gmail.com, sources@services.cnrs.fr<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Avant toute soumission, merci de v\u00e9rifier la conformit\u00e9 de votre article avec la <a href=\"https:\/\/www.sources-journal.org\/161\">ligne \u00e9ditoriale de la revue<\/a>.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le <a href=\"https:\/\/www.sources-journal.org\/160\">processus et les attentes de la revue en mati\u00e8re d\u2019\u00e9valuation<\/a>.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les articles doivent respecter les <a href=\"https:\/\/www.sources-journal.org\/164\">normes \u00e9ditoriales de la revue<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Plus de d\u00e9tails <a href=\"http:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/05\/Sources-Photographier-les-mondes-sociaux-africains.pdf\">ici<\/a>.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n\n\n<h4 class=\"wp-block-heading\">Special issue for <a href=\"https:\/\/www.sources-journal.org\">Sources. Materials &amp; Fieldwork in African Studies<\/a><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.sources-journal.org\/521\">Photographing African Social Worlds: Production and Circulation of Visual Representations<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This issue aims to critically examine, through the use of documentary photography in Africa, the visual representations of the social world produced and disseminated by researchers and photographers working together or independently. It aims to focus on the multiple influences that contribute to the construction and evolution of such visual representations, on the one hand, and on the circulation of individuals, norms and images, on the other. The contributions will be part of a more global reflection on the use of photographs as sources for research in social science and about Africa. They will be grounded upon in-depth case studies and will present the authors\u2019&nbsp;approach in the field and show the photographs produced.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Special Issue Coordinators:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Chlo\u00e9 Josse-Durand<\/strong>, Deputy Director and Researcher at the <a href=\"https:\/\/ifranairobi.hypotheses.org\">French Institute for Research in Africa <\/a>(IFRA- Nairobi), Nairobi, Kenya<\/li>\n\n\n\n<li><strong>Constance Perrin-Joly<\/strong>, Assistant Professor, Sorbonne Paris Nord University, IRIS (Interdisciplinary Institute of Social Issues), Associate Researcher at the <a href=\"https:\/\/cfee.cnrs.fr\">French Center for Ethiopian Studies<\/a> (CFEE), Addis Ababa, Ethiopia<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Production Timeline: <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Coordinators invite researchers and\/or photographers to submit an article proposal, in French or in English (3,000 to 5,000 characters), related to the theme of this call and in keeping with the editorial line of the journal. The proposals should present the body of material central to the article, describe it, and provide contextual elements related to the discipline and the research question. They should indicate the possibilities (or constraints) and conditions of their online distribution.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>June 30, 2021: submission of the proposals. They should consist of a 20-line abstract with a provisional title. Kindly include the author\u2019s name(s), contact details (e-mail address notably) and affiliations<\/li>\n\n\n\n<li>July 15, 2021: response to the authors (acceptance or refusal)<\/li>\n\n\n\n<li>October 30, 2021: submission of the full article<\/li>\n\n\n\n<li>February 2022: sending a peer-review report to the authors<\/li>\n\n\n\n<li>June 30, 2022: submission of the final version of the article<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">2023: publication of the issue. Article proposals should be sent via e-mail to the following e-mail addresses: cperrinjoly@gmail.com; chloe.jossedurand@gmail.com;&nbsp;sources@services.cnrs.fr<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Please make sure that your article conforms to the <a href=\"https:\/\/www.sources-journal.org\/162\">editorial line<\/a> and <a href=\"https:\/\/www.sources-journal.org\/382\">standards.<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Browse our <a href=\"https:\/\/www.sources-journal.org\/383\">review process and expectations<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">More details are available <a href=\"http:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/05\/Sources-Photographing-African-Social-Worlds.pdf\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; Num\u00e9ro sp\u00e9cial pour la revue Sources. Mat\u00e9riaux &amp; terrains en \u00e9tudes africaines Photographier les mondes sociaux africains : production et circulation des repr\u00e9sentations visuelles Ce num\u00e9ro a pour objectif de confronter, \u00e0 travers l&#8217;usage de la photographie documentaire en Afrique,&nbsp;les repr\u00e9sentations visuelles du monde social que produisent et diffusent les producteur\u00b7trice d\u2019images, qu\u2019ils [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5821,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,4,21,1],"tags":[],"class_list":["post-5819","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-calls","category-news","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts\/5819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/comments?post=5819"}],"version-history":[{"count":12,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts\/5819\/revisions"}],"predecessor-version":[{"id":7124,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts\/5819\/revisions\/7124"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/media\/5821"}],"wp:attachment":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/media?parent=5819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/categories?post=5819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/tags?post=5819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}