{"id":5876,"date":"2021-08-18T21:23:31","date_gmt":"2021-08-18T19:23:31","guid":{"rendered":"http:\/\/www.ifas.org.za\/research\/?p=5876"},"modified":"2022-12-07T14:53:00","modified_gmt":"2022-12-07T12:53:00","slug":"appel-a-contributions-call-for-papers-esclavages-postesclavages","status":"publish","type":"post","link":"https:\/\/www.ifas.org.za\/research\/uncategorized\/appel-a-contributions-call-for-papers-esclavages-postesclavages\/","title":{"rendered":"Appel \u00e0 contributions\/ Call for Papers \u2013  Esclavages &#038; post~esclavages"},"content":{"rendered":"<p>&nbsp;<\/p>\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"168\" src=\"http:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/08\/capture-2021-08-18-\u00e0-20.55.49-1024x168.jpg\" alt=\"\" class=\"wp-image-5877\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/08\/capture-2021-08-18-\u00e0-20.55.49-1024x168.jpg 1024w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/08\/capture-2021-08-18-\u00e0-20.55.49-300x49.jpg 300w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/08\/capture-2021-08-18-\u00e0-20.55.49-768x126.jpg 768w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/08\/capture-2021-08-18-\u00e0-20.55.49.jpg 1878w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><a href=\"https:\/\/journals.openedition.org\/slaveries\/\">Esclavages &amp; post~esclavages<\/a><\/figcaption><\/figure>\n\n\n<p>&nbsp;<\/p>\n\n\n<p class=\"wp-block-paragraph\"><strong>Appel \u00e0 contributions pour le dossier th\u00e9matique \u00ab Imaginer le \u201cm\u00e9morial musical\u201d. <\/strong>Musiques et (re)transmissions des m\u00e9moires des traites et des esclavages \u00bb, n\u00b07 de la revue <em><a href=\"https:\/\/journals.openedition.org\/slaveries\/?lang=fr\">Esclavages &amp; post~esclavages \/ Slavery &amp; Post~ Slaveries<\/a><\/em><\/p>\n\n\n<p>&nbsp;<\/p>\n\n\n<p class=\"wp-block-paragraph\"><strong>Date limite pour l\u2019envoi de r\u00e9sum\u00e9s : 31 octobre 2021 <\/strong><br><strong>Date limite de soumission des articles : 1er&nbsp;mars 2022<\/strong><\/p>\n\n\n<p>&nbsp;<\/p>\n\n\n<p class=\"wp-block-paragraph\">L\u2019objectif de ce num\u00e9ro est de poursuivre la r\u00e9flexion ouverte par la revue&nbsp;<em>Esclavages &amp; post~esclavages&nbsp;<\/em>\/&nbsp;<em>Slaveries &amp; Post~Slaveries&nbsp;<\/em>sur le travail des artistes et leur r\u00e9actualisation par des formes sensibles de l\u2019histoire et de la m\u00e9moire des traites et des esclavages, mais en partant plus sp\u00e9cifiquement de la question musicale. Ce dossier s\u2019attachera \u00e0 rendre compte de la mani\u00e8re complexe dont la musique est devenue source et ressource m\u00e9morielle depuis l\u2019\u00e9poque des traites et des esclavages jusqu\u2019\u00e0 nos jours.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ce num\u00e9ro d\u2019<em>Esclavages &amp; post~esclavages&nbsp;<\/em>\/&nbsp;<em>Slaveries &amp; Post~Slaveries&nbsp;<\/em>invite les chercheur\u22c5se\u22c5s de l\u2019ensemble des sciences humaines et sociales \u00e0 r\u00e9fl\u00e9chir aux liens entre m\u00e9moire et musique centr\u00e9s sur la contestation, le recueillement, la transmission, ou encore, la recherche artistique visant \u00e0 restituer des g\u00e9n\u00e9alogies longtemps oubli\u00e9es ou \u00e0 les imaginer \u00e0 diff\u00e9rentes \u00e9poques, dans l\u2019Atlantique et l\u2019oc\u00e9an Indien, en Afrique et dans le golfe Persique.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sans s\u2019y limiter, les contributions pourront aborder les th\u00e8mes suivants :<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>les processus enchev\u00eatr\u00e9s de (r\u00e9)actualisation, performance et (re)transmission des conceptions du \u00ab m\u00e9morial musical \u00bb dans un contexte historique donn\u00e9, depuis les abolitions jusqu\u2019\u00e0 nos jours ;<\/li><li>la performativit\u00e9 de ces processus m\u00e9moriels \u00e0 l\u2019\u00e9chelle individuelle et collective, et leurs implications affectives et \u00e9motionnelles ;<\/li><li>les relations entre le \u00ab m\u00e9morial musical \u00bb et le silence des institutions ou, au contraire, la prolif\u00e9ration des initiatives (inter)nationales d\u00e9di\u00e9es \u00e0 l\u2019histoire des traites et des esclavages ;<\/li><li>les \u0153uvres, les pratiques et l\u2019imagination des artistes qui, au fil des si\u00e8cles, ont contribu\u00e9 \u00e0 fa\u00e7onner et transmettre les liens unissant la musique \u00e0 la m\u00e9moire ;<\/li><li>le r\u00f4le des nouvelles technologies comme le disque, apparu au tournant du&nbsp;XXe&nbsp;si\u00e8cle, et plus tard des formats num\u00e9riques et d\u2019internet, dans ces processus ;<\/li><li>les processus d\u2019interm\u00e9dialit\u00e9 et d\u2019intertextualit\u00e9 au c\u0153ur de la constitution des m\u00e9moriaux musicaux ;<\/li><li>les processus m\u00e9moriels alternatifs et les manifestations des dialogues et conflits entre diff\u00e9rents types d\u2019acteurs autour du \u00ab m\u00e9morial musical \u00bb.<\/li><\/ul>\n\n\n<p>&nbsp;<\/p>\n\n\n<p class=\"wp-block-paragraph\"><strong>Modalit\u00e9s de soumission<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les r\u00e9sum\u00e9s d\u2019articles (entre 500 et 800 mots) sont \u00e0 envoyer avant le&nbsp;<strong>31 octobre 2021&nbsp;<\/strong>\u00e0&nbsp;slaveries-musiques@groupes.renater.fr. Les propositions d\u2019articles (45 000 signes maximum, espaces compris, bibliographie incluse) devront \u00eatre soumises en fran\u00e7ais, en anglais, en espagnol ou en portugais, avant le&nbsp;<strong>1<\/strong><strong>er&nbsp;<\/strong><strong>mars 2022<\/strong>imp\u00e9rativement. Elles seront accompagn\u00e9es d\u2019une synth\u00e8se de 3600 signes maximum. La liste compl\u00e8te des recommandations aux auteur\u00b7trice\u00b7s est disponible&nbsp;ici.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La d\u00e9cision du comit\u00e9 \u00e9ditorial sera communiqu\u00e9e le 4 avril 2022. Les articles retenus seront publi\u00e9s dans la revue&nbsp;<em>Esclavages &amp; post~esclavages&nbsp;<\/em>en novembre 2022.<\/p>\n\n\n<p>&nbsp;<\/p>\n\n\n<p class=\"wp-block-paragraph\" style=\"text-align:right\">Elina DJEBBARI, ma\u00eetresse de conf\u00e9rences \u00e0 l\u2019Universit\u00e9 Paris Nanterre<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"text-align:right\">Charlotte GRABLI, post-doctorante Marie Sk\u0142odowska-Curie au D\u00e9partement d\u2019histoire de UCLA et au CIRESC-CNRS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Plus de d\u00e9tails <a href=\"http:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/08\/CFP_7_EP2.pdf\">ici<\/a>.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n<p>&nbsp;<\/p>\n\n\n<p class=\"wp-block-paragraph\">Call for contributions to a special number \u2018Imagining the \u201cmusical memorial\u201d. Music and (re)transmission of memories of slave trades and slaveries\u2019, no. 7 of the journal <em><a href=\"https:\/\/journals.openedition.org\/slaveries\/?lang=en\">Esclavages &amp; post~esclavages \/ Slavery &amp; Post~ Slaveries<\/a><\/em><\/p>\n\n\n<p>&nbsp;<\/p>\n\n\n<p class=\"wp-block-paragraph\"><strong>Deadline for the submission of summaries: October 31, 2021 Deadline for the submission of articles: March 1st, 2022<\/strong><\/p>\n\n\n<p>&nbsp;<\/p>\n\n\n<p class=\"wp-block-paragraph\">The aim of this special issue is to pursue the reflection initiated by the journal&nbsp;<em>Esclavages &amp; post~esclavages\/Slaveries &amp; Post~Slaveries&nbsp;<\/em>on the work of artists and their re-actualization through sensitive forms of the history and memories of the slave trades and slaveries, this time with a focus on the question of music. This dossier will attempt to unfold the complex ways in which music has become a source and a resource for memories, from the time of the slave trades and slaveries to the present day.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This thematic issue of the journal&nbsp;<em>Esclavages &amp; post~esclavages\/Slaveries &amp; Post~Slaveries&nbsp;<\/em>invites researchers from all human and social sciences to reflect on the links between memory and music to question ways of dispute, recollection, transmission, or artistic research aimed at reconstructing long-forgotten genealogies or imagining them at different times, in the Atlantic and Indian Oceans, in Africa and in the Persian Gulf.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Contributions may address the following themes (but are not limited to):<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022&nbsp;the entangled processes of (re)actualization, performance and (re)transmission in the conceptions of the \u201cmusical memorial\u201d in a given historical context, from the abolitions to the present day;<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>the performativity of these memory processes at individual and collective scales, and their affective and emotional implications;<\/li><li>the relationship between the \u201cmusical memorial\u201d and the silence of institutions or, on the contrary, the proliferation of (inter)national initiatives dedicated to the history of the slave trades and slaveries;<\/li><li>the works, practices and imaginations of artists who, over the centuries, have helped shape and pass on the links between music and memory;<\/li><li>the role of new technologies such as records, which appeared at the turn of the 20th century, and later of digital and internet formats, in these processes;<\/li><li>the processes of intermediality and intertextuality at the heart of the constitution of musical memorials;<\/li><li>alternative memory processes and manifestations of dialogues and conflicts between different types of actors around the \u201cmusical memorial.\u201d<strong>Guidelines for submissions<\/strong>Short summaries of proposed articles (500-800 words) must be sent by&nbsp;<strong>October 31, 2021&nbsp;<\/strong>to&nbsp;slaveries-musiques@groupes.renater.fr. The articles themselves (45,000 characters maximum, inclusive of spaces and bibliography), which may be written in French, English, Spanish or Portuguese, must be submitted by&nbsp;<strong>March 1<\/strong><strong>st<\/strong><strong>, 2022<\/strong>. They should be accompanied by an abstract of no more than 3,600 characters. Comprehensive guidance for authors is accessible&nbsp;here.The editorial committee will announce its decisions on April 4, 2022. The selected articles will be published in the journal&nbsp;<em>Esclavages &amp; post~esclavages<\/em>\/<em>Slaveries &amp; Post~Slaveries&nbsp;<\/em>in November 2022.<\/li><\/ul>\n\n\n<p>&nbsp;<\/p>\n<p><\/p>\n<p><\/p>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Guideline for submissions<\/strong><\/p>\n<p>Short summaries of proposed articles (500-800 words) must be sent by October 31, 2021 to slaveries-musiques@groupes.renater.fr. The articles themselves (45,000 characters maximum, inclusive of spaces and bibliography), which may be written in French, English, Spanish or Portuguese, must be submitted by March 1st, 2022. They should be accompanied by an abstract of no more than 3,600 characters. Comprehensive guidance for authors is accessible here.<\/p>\n<p>The editorial committee will announce its decisions on April 4, 2022. The selected articles will be published in the journal Esclavages &amp; post~esclavages\/Slaveries &amp; Post~Slaveries in November 2022.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\">Elina DJEBBARI, lecturer at Paris Nanterre University<\/p>\n<p style=\"text-align: right;\">Charlotte GRABLI, postdoctoral Marie Sk\u0142odowska-Curie fellow at History Department, UCLA and CIRESC-CNRS<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">More details <a href=\"http:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2021\/08\/CFP_7_EP2-ENG.pdf\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; Appel \u00e0 contributions pour le dossier th\u00e9matique \u00ab Imaginer le \u201cm\u00e9morial musical\u201d. Musiques et (re)transmissions des m\u00e9moires des traites et des esclavages \u00bb, n\u00b07 de la revue Esclavages &amp; post~esclavages \/ Slavery &amp; Post~ Slaveries &nbsp; Date limite pour l\u2019envoi de r\u00e9sum\u00e9s : 31 octobre 2021 Date limite de soumission des articles : [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5877,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,4,21,1],"tags":[],"class_list":["post-5876","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-calls","category-news","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts\/5876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/comments?post=5876"}],"version-history":[{"count":9,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts\/5876\/revisions"}],"predecessor-version":[{"id":5888,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts\/5876\/revisions\/5888"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/media\/5877"}],"wp:attachment":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/media?parent=5876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/categories?post=5876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/tags?post=5876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}