{"id":6317,"date":"2023-01-12T14:22:01","date_gmt":"2023-01-12T12:22:01","guid":{"rendered":"http:\/\/www.ifas.org.za\/research\/?p=6317"},"modified":"2024-12-12T15:36:18","modified_gmt":"2024-12-12T13:36:18","slug":"serie-de-courts-metrages-arqueologia-angolana-sur-notre-chaine-youtube-arqueologia-angolana-series-of-short-films-on-our-youtube-channel","status":"publish","type":"post","link":"https:\/\/www.ifas.org.za\/research\/uncategorized\/serie-de-courts-metrages-arqueologia-angolana-sur-notre-chaine-youtube-arqueologia-angolana-series-of-short-films-on-our-youtube-channel\/","title":{"rendered":"S\u00e9rie de courts-m\u00e9trages \u00ab Arqueologia Angolana \u00bb sur notre cha\u00eene Youtube | &#8220;Arqueologia Angolana&#8221;, series of short films on our Youtube channel"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/01\/Screenshot-4-1024x576.png\" alt=\"\" class=\"wp-image-6319\" width=\"553\" height=\"311\" srcset=\"https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/01\/Screenshot-4-1024x576.png 1024w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/01\/Screenshot-4-300x169.png 300w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/01\/Screenshot-4-768x432.png 768w, https:\/\/www.ifas.org.za\/research\/wp-content\/uploads\/2023\/01\/Screenshot-4.png 1411w\" sizes=\"auto, (max-width: 553px) 100vw, 553px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Dans le contexte du <em>Projet Arch\u00e9ologique de Mormolo<\/em> codirig\u00e9 depuis 2019 par Isis Mesfin (<a href=\"https:\/\/www.mnhn.fr\/fr\">Mus\u00e9um National d\u2019Histoire Naturelle<\/a>) et Maria-Helena Benjamim (<a href=\"https:\/\/m.facebook.com\/museunacionalarqueologia\/\">Museu Nacional de Arqueologia de Benguela<\/a>), <a href=\"https:\/\/www.instagram.com\/bonito_leo\/\">L\u00e9o Bohn<\/a> et Isis Mesfin ont r\u00e9alis\u00e9 une s\u00e9rie de courts-m\u00e9trages intitul\u00e9e \u00ab\u00a0<em>Arqueologia Angolana<\/em>\u00a0\u00bb en hommage \u00e0 la monographie de Carlos Ervedosa (Luanda, Edi\u00e7\u00f5es 70, 1980). Les \u00e9pisodes seront diffus\u00e9s au fil de l\u2019ann\u00e9e 2023 sur la cha\u00eene Youtube de l\u2019IFAS-Recherche. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019ambition est de faire conna\u00eetre les\nrecherches en cours dans le cadre de ce programme franco-angolais, et de\npr\u00e9senter au grand public les disciplines et les activit\u00e9s principales des\npal\u00e9osciences et de l\u2019arch\u00e9ologie. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c9pisode 1 \u2013 Le Mus\u00e9e National d\u2019Arch\u00e9ologie de Benguela (<a href=\"https:\/\/youtu.be\/IgsLzxmXx-Q\">retrouvez-le d\u00e8s \u00e0 pr\u00e9sent sur notre cha\u00eene Youtube<\/a>)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c9pisode 2 \u2013 Le Projet\nArch\u00e9ologique de Mormolo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c9pisode 3 \u2013 La fouille\narch\u00e9ologique<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c9pisode 4 \u2013 La\nzooarch\u00e9ologie<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c9pisode 5 \u2013 La\ng\u00e9ochronologie<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c9pisode 6 \u2013 La taille de\nla pierre<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c9pisode 7 \u2013 Ebo, patrimoine rupestre<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le projet de recherche et la conception des vid\u00e9os ont \u00e9t\u00e9 soutenus par l\u2019<a href=\"https:\/\/ao.ambafrance.org\/-Ambassade-de-France-a-Luanda-\">Ambassade de France en Angola<\/a>, la <a href=\"https:\/\/www.nationalgeographic.org\/society\/\">National Geographic Society<\/a>, la <a href=\"https:\/\/www.fondationfyssen.fr\/en\/\">Fondation Fyssen<\/a>, l\u2019<a href=\"https:\/\/sites.google.com\/view\/assemca?pli=1\">Association \u00c9milie Campmas<\/a>, le <a href=\"https:\/\/www.uj.ac.za\/faculties\/humanities\/research\/research-centres\/palaeo-research-institute\/\">Palaeo-Research Institute<\/a> de l\u2019universit\u00e9 de Johannesburg et l\u2019IFAS-Recherche avec la participation, pour le son et l\u2019image, de Berta Texeira et <a href=\"http:\/\/www.victorgama.org\">Victor Gama<\/a>, du Project Diamang Digital de l\u2019universit\u00e9 de Coimbra, de Marie Opplert et de <a href=\"https:\/\/www.instagram.com\/pauldubail\/\">Paul Dubail<\/a>. <\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">In the context of the Mormolo Archaeological Project co-directed since 2019 by Isis Mesfin (<a href=\"https:\/\/www.mnhn.fr\/fr\">Mus\u00e9um National d&#8217;Histoire Naturelle<\/a>) and Maria-Helena Benjamim (<a href=\"https:\/\/m.facebook.com\/museunacionalarqueologia\/\">Museu Nacional de Arqueologia de Benguela<\/a>), <a href=\"https:\/\/www.instagram.com\/bonito_leo\/\">Leo Bohn<\/a> and Isis Mesfin have produced a series of short films entitled &#8220;<em>Arqueologia Angolana<\/em>&#8221; in homage to the monograph by Carlos Ervedosa (Luanda, Edi\u00e7\u00f5es 70, 1980). The episodes will be broadcast throughout 2023 on IFAS-Research&#8217;s Youtube channel. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The aim is to\npublicise the research being carried out in the framework of this\nFranco-Angolan programme, and to introduce the general public to the main\ndisciplines and activities of palaeoscience and archaeology. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Episode 1 &#8211; The National Museum of Archaeology in Benguela (<a href=\"https:\/\/youtu.be\/IgsLzxmXx-Q\">discover it now on our Youtube channel<\/a>)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Episode 2 &#8211; The\nMormolo Archaeological Project<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Episode 3 &#8211; The\nArchaeological Excavation<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Episode 4 &#8211;\nZooarchaeology<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Episode 5 &#8211;\nGeochronology<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Episode 6 &#8211;\nStonecutting<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Episode 7 &#8211; Ebo, Rock\nArt Heritage<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The research project and the conception of the videos were supported by the <a href=\"https:\/\/ao.ambafrance.org\/-Ambassade-de-France-a-Luanda-\">French Embassy in Angola<\/a>, the <a href=\"https:\/\/www.nationalgeographic.org\/society\/\">National Geographic Society<\/a>, the <a href=\"https:\/\/www.fondationfyssen.fr\/en\/\">Fyssen Foundation<\/a>, the <a href=\"https:\/\/sites.google.com\/view\/assemca?pli=1\">Emilie Campmas Association<\/a>, the <a href=\"https:\/\/www.uj.ac.za\/faculties\/humanities\/research\/research-centres\/palaeo-research-institute\/\">Palaeo-Research Institute<\/a> of the University of Johannesburg and IFAS-Research with the participation, for the sound and image, of Berta Texeira and <a href=\"http:\/\/www.victorgama.org\/\">Victor Gama<\/a>, of the Diamang Digital Project of the University of Coimbra, of Marie Opplert and of <a href=\"https:\/\/www.instagram.com\/pauldubail\/\">Paul Dubail<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans le contexte du Projet Arch\u00e9ologique de Mormolo codirig\u00e9 depuis 2019 par Isis Mesfin (Mus\u00e9um National d\u2019Histoire Naturelle) et Maria-Helena Benjamim (Museu Nacional de Arqueologia de Benguela), L\u00e9o Bohn et Isis Mesfin ont r\u00e9alis\u00e9 une s\u00e9rie de courts-m\u00e9trages intitul\u00e9e \u00ab\u00a0Arqueologia Angolana\u00a0\u00bb en hommage \u00e0 la monographie de Carlos Ervedosa (Luanda, Edi\u00e7\u00f5es 70, 1980). Les \u00e9pisodes [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":6319,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,43,45,21,1],"tags":[],"class_list":["post-6317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-dissemination","category-film","category-news","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts\/6317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/comments?post=6317"}],"version-history":[{"count":9,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts\/6317\/revisions"}],"predecessor-version":[{"id":6327,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/posts\/6317\/revisions\/6327"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/media\/6319"}],"wp:attachment":[{"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/media?parent=6317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/categories?post=6317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ifas.org.za\/research\/wp-json\/wp\/v2\/tags?post=6317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}